-
Raed Yassin, The Company of Silver Spectres , 2021 -
Manal AlDowayan, The Emerging #6, 2021
-
Ahmad Amin Nazar, The Champion on His Death Bed, 2011
-
Rokni Haerizadeh, If Marco Polo Brought the Pasta Meme to Europe from China, He didn't Need to be a Pasta Chef but all he Had to do was to Disperse the Meme in the Environment and Other Humans Infected by it, Would Express it in their Behaviour, 2017-18
-
Hesam Rahmanian, Absent Minded Geometry, 2018
-
Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian, The Wind Will Carry..., 2018–20
-
Vikram Divecha, Google Images search entry: Displaces; Device: iPhone SE (A1723); Display aspect ratio 16:9, 2019
-
Latif Al Ani, Aegean Sea, Turkey, 1966, 2019
-
Abdelkader Benchamma, Book of Miracles - In the Name of, 2019
-
Haleh Redjaian, Mountain, 2020
-
Hoda Tawakol, Lure N°20, 2020
-
Manal AlDowayan, O Sister, 2021
-
Raed Yassin, The Company of Silver Spectres, 2021
-
Ahmad Amin Nazar, Untitled, 2010
-
Nargess Hashemi, Satellite View from 5 km - Sustainable City for Porters, 2017
-
Hesam Rahmanian, In One’s Corner One Does Not Talk To Oneself, 2017
-
Rokni Haerizadeh, If Marco Polo Brought the Pasta Meme to Europe from China, He didn't Need to be a Pasta Chef but all he Had to do was to Disperse the Meme in the Environment and Other Humans Infected by it, Would Express it in their Behaviour, 2017-18
-
Vikram Divecha, Southwest window facade (Cropped view), Gallery 354, Metropolitan Museum of Art, 2018
-
Mohammed Kazem, Receiving Light. Cincinnati, 2018
-
Latif Al Ani, Child in a modern house, Baghdad, 1964, 2019
-
Abdelkader Benchamma, COSMA - Eyes, 2019
-
Haleh Redjaian, No Flag 3, 2019
-
Hoda Tawakol, What if We Build Our Own Country, Drinking the Donkey’s Milk, Rather than the Wolf’s?, 2020
-
Manal AlDowayan, Ephemeral Witness, 2020
-
Raed Yassin, The Company of Silver Spectres, 2021
-
Ahmad Amin Nazar, Untitled, 2010
-
Rokni Haerizadeh, The Sun Shines on a Graveyard and a Garden Alike, and the Rain a Loyal Man from a Traitor Knows not, 2015-17
-
Hesam Rahmanian, A Horse with a Bad Back, 2017
-
Nargess Hashemi, Untitled, 2017
-
Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian, The Three Dastgahs, from left to right; Lullabee (monster Lullaby Manga/The First Muslim Bee), Fresh Out of the Boat (FOB, Man and Woman Before the Heap of Excrement Are Operating in the Woods and on the Woods, Lost in the Woods and Within the Woods, and , 2017–19
-
Ramin Haerizadeh, Submersible #4, 2018
-
Vikram Divecha, Southwest window facade (Cropped view), Gallery 354, Metropolitan Museum of Art, 2018
-
Latif Al Ani, Building the Darbandikhan Dam, Darbandikhan, Kurdistan, 1962, 2019
-
Hoda Tawakol, Nude N°25, 2019
-
Manal AlDowayan, Suspended Palm 9, 2019
-
Haleh Redjaian, Blue, 2020
-
Raed Yassin, The Company of Silver Spectres, 2021
-
Ahmad Amin Nazar, Untitled, 2010
-
Manal AlDowayan, Flock 2: Suspended Together, 2011
-
Raed Yassin, Another Birthday, 2013
-
Rokni Haerizadeh, The Sun Shines on a Graveyard and a Garden Alike, and the Rain a Loyal Man from a Traitor Knows Not, 2015-17
-
Ramin Haerizadeh, Submersible #2, 2016
-
Hesam Rahmanian, The Queen Looked at the Peacock in Wonder, 2016
-
Vikram Divecha, Bathing Boulders, 2017
-
Nargess Hashemi, Satellite View from 500 m - Complex for Rehabilitation of Immigrants, 2017
-
Mohammed Kazem, Even the Shade Does not Belong to Them, 2018
-
:mentalKLINIK, PERFECT LOVERS, 2018, 2018
-
Latif Al Ani, Housing project office, Yarmouk, Baghdad, 1962, 2019
-
Hoda Tawakol, Immaculate N°14 and Immaculate N°12, 2019
-
Ahmad Amin Nazar, Untitled, 2010
-
Raed Yassin, By the Sea, 2013
-
Rokni Haerizadeh, The Sun Shines on a Graveyard and a Garden Alike, and the Rain a Loyal Man from a Traitor Knows Not, 2015-17
-
Hesam Rahmanian, Submersible #1, 2016
-
Manal Aldowayan, The Plane, 2016
-
Nargess Hashemi, Satellite View from 500 m - Housing Complex for Plastic Waste Collectors, 2017
-
Vikram Divecha, Photostaging Boulder Plot (2014), 2017
-
Mohammed Kazem, Kisses, 2017
-
Ramin Haerizadeh, Submersible #5, 2018
-
Latif Al Ani, Shepherd, Ctesiphon, Al Mada'in, 1962, 2019
-
Bita Fayyazi, Baby (Gold), 2009
-
Ahmad Amin Nazar, Untitled, 2010
-
Mohammed Kazem, Kisses, 2010
-
Raed Yassin, Mama with Balloons, 2013
-
Vikram Divecha, Boulder Plot, 2014
-
Ramin Haerizadeh, Untitled, 2014-15
-
Rokni Haerizadeh, The Sun Shines on a Graveyard and a Garden Alike, and the Rain a Loyal Man from a Traitor Knows not, 2015-17
-
Manal AlDowayan, The Lady, 2016
-
Hesam Rahmanian, Shovel Taking a Shower After Work, 2016
-
Abdelkader Benchamma, Books of Miracle - Mosque, 2017
-
Nargess Hashemi, Breathing House, 2017
-
Hoda Tawakol, On the Shore of the Nile N°1, 2019
-
Latif Al Ani, Shepherd, Baghdad, 1962, 2019
-
Bita Fayyazi, Body Builder (01), 2009
-
Ahmad Amin Nazar, Untitled, 2010
-
Manal AlDowayan, Esmi - My Name, 2012
-
Raed Yassin, Reading Letters from Saudi Arabia, 2013
-
Rokni Haerizadeh, Subversive Salami in a Ragged Briefcase, 2013-14
-
Nargess Hashemi, Untitled, 2015
-
Vikram Divecha, Beej, 2017
-
Mohammed Kazem, Kisses, 2017
Page
5
of 8