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Hesam Rahmanian, Absent Minded Geometry, 2018 -
Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian, The Wind Will Carry..., 2018–20 -
Latif Al Ani, Aegean Sea, Turkey, 1966, 2019 -
Haleh Redjaian, Mountain, 2020 -
Manal AlDowayan, O Sister, 2021 -
Raed Yassin, The Company of Silver Spectres, 2021 -
Vikram Divecha, Untitled Scene (Aimless Calligraphy, May 12), 2022 -
Alia Zaal, Memory of a Ghaf, 2024 -
Fereydoun Ave, Trompette de la Mort, 2024 -
Hoda Tawakol, My Mothers, 2025 -
Richi Bhatia, Prone to change…, 2025 -
Abdelkader Benchamma, Trees Beliefs, 2025 -
Ahmad Amin Nazar, Untitled, 2010 -
Mohammed Kazem, Scratches on Paper, 2011 -
Nargess Hashemi, Satellite View from 5 km - Sustainable City for Porters, 2017 -
Hesam Rahmanian, In One’s Corner One Does Not Talk To Oneself, 2017 -
Rokni Haerizadeh, If Marco Polo Brought the Pasta Meme to Europe from China, He didn't Need to be a Pasta Chef but all he Had to do was to Disperse the Meme in the Environment and Other Humans Infected by it, Would Express it in their Behaviour, 2017-18 -
Haleh Redjaian, No Flag 3, 2019 -
Manal AlDowayan, Ephemeral Witness, 2020 -
Raed Yassin, The Company of Silver Spectres, 2021 -
Vikram Divecha, Untitled Scene (Aimless Calligraphy, August 3), 2022 -
Fereydoun Ave, Trompette de la Mort, 2024 -
Richi Bhatia, The Animals, The Bodies and Coefficient of Time VI, 2025 -
Abdelkader Benchamma, Komentenbuch - Stars , 2025 -
Hoda Tawakol, Fragments of Return N°14, 2025 -
Ahmad Amin Nazar, Untitled, 2010 -
Tirdad Hashemi, People, are you ok?, 2015 -
Rokni Haerizadeh, The Sun Shines on a Graveyard and a Garden Alike, and the Rain a Loyal Man from a Traitor Knows not, 2015-17 -
Fereydoun Ave, Mushroom, 2016 -
Hesam Rahmanian, A Horse with a Bad Back, 2017 -
Nargess Hashemi, Untitled, 2017 -
Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian, The Three Dastgahs, from left to right; Lullabee (monster Lullaby Manga/The First Muslim Bee), Fresh Out of the Boat (FOB, Man and Woman Before the Heap of Excrement Are Operating in the Woods and on the Woods, Lost in the Woods and Within the Woods, and , 2017–19 -
Ramin Haerizadeh, Submersible #4, 2018 -
Latif Al Ani, Building the Darbandikhan Dam, Darbandikhan, Kurdistan, 1962, 2019 -
Manal AlDowayan, Suspended Palm 9, 2019 -
Haleh Redjaian, Blue, 2020 -
Raed Yassin, The Company of Silver Spectres , 2021 -
Vikram Divecha, Untitled Scene (Aimless Calligraphy, July 22), 2022 -
Richi Bhatia, The Animals, The Bodies and Coefficient of Time V, 2025 -
Abdelkader Benchamma, Komentenbuch - Feu en haut, 2025 -
Hoda Tawakol, Fragments of Return N°16, 2025 -
Ahmad Amin Nazar, Untitled, 2010 -
Manal AlDowayan, Flock 2: Suspended Together, 2011 -
Fereydoun Ave, Poppies and Artichokes , 2013 -
Rokni Haerizadeh, The Sun Shines on a Graveyard and a Garden Alike, and the Rain a Loyal Man from a Traitor Knows Not, 2015-17 -
Ramin Haerizadeh, Submersible #2, 2016 -
Hesam Rahmanian, The Queen Looked at the Peacock in Wonder, 2016 -
Nargess Hashemi, Satellite View from 500 m - Complex for Rehabilitation of Immigrants, 2017 -
:mentalKLINIK, PERFECT LOVERS, 2018, 2018 -
Latif Al Ani, Housing project office, Yarmouk, Baghdad, 1962, 2019 -
Raed Yassin, The Company of Silver Spectres, 2021 -
Vikram Divecha, Resting Bodies (Island No.10), 2024 -
Richi Bhatia, The Animals, The Bodies and Coefficient of Time IV, 2025 -
Abdelkader Benchamma, Komentenbuch - Rorschach, 2025 -
Hoda Tawakol, Fragments of Return N°15, 2025 -
Tirdad Hashemi and Soufia Erfanian, She cried through the garden, loud and unbound, petals shaking as if they felt her fear. I said: you’re too sensitive. She hummed: I want you, only for myself. Our fears bloom differently. She runs after me, I skip between the flowers, 2026 -
Mohammed Kazem, Studio 4, 2007 -
Fereydoun Ave, Rostam in the Dead of Winter, 2009 -
Ahmad Amin Nazar, Untitled, 2010 -
Rokni Haerizadeh, The Sun Shines on a Graveyard and a Garden Alike, and the Rain a Loyal Man from a Traitor Knows Not, 2015-17 -
Hesam Rahmanian, Submersible #1, 2016 -
Manal Aldowayan, The Plane, 2016 -
Nargess Hashemi, Satellite View from 500 m - Housing Complex for Plastic Waste Collectors, 2017 -
Ramin Haerizadeh, Submersible #5, 2018 -
Latif Al Ani, Shepherd, Ctesiphon, Al Mada'in, 1962, 2019 -
Raed Yassin, The Company of Silver Spectres, 2021 -
Vikram Divecha, Floor plan (Level 1), 2022 -
Lubna Chowdhary, Code 77, 2024 -
Richi Bhatia, The Animals, The Bodies and Coefficient of Time III, 2025 -
Abdelkader Benchamma, Komentenbuch - Object from the past, 2025 -
Hoda Tawakol, Cosmic Womb, 2025 -
Tirdad Hashemi and Soufia Erfanian, Your love teaches my bones how to grow wings, how to rise without trembling, how to look at us from above and feel no anxious shadow anymore. In the silence between heartbeats I see us glowing not loud, not burning, but steady like a star in the endless d, 2026 -
Mohammed Kazem, Directions (Triangle), 2006 -
Fereydoun Ave, Rostam in the Dead of Winter, 2009 -
Bita Fayyazi, Baby (Gold), 2009 -
Ahmad Amin Nazar, Untitled, 2010 -
Ramin Haerizadeh, Untitled, 2014-15 -
Rokni Haerizadeh, The Sun Shines on a Graveyard and a Garden Alike, and the Rain a Loyal Man from a Traitor Knows not, 2015-17 -
Manal AlDowayan, The Lady, 2016 -
Hesam Rahmanian, Shovel Taking a Shower After Work, 2016
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