Rokni Haerizadeh’s recent bodies of work embody a prolific and feverish expose’ of exactly this dualistic interplay: the reality of violence and the spectator’s inherent (passive) voyueristic relationship to that reality.
Join our mailing list
* denotes required fields
We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.